As a huge admirer of the works of Agatha Christie, I have been eagerly awaiting the publication of ‘Agatha Christie- A Very Elusive Woman’ by Lucy Worsley.
Telling the story of Agatha’s life, from her early years with an education-averse mother, to Dame Agatha, the most read female writer ever.
Lucy Worsley has a very engaging style. Bringing together research from the Christie archives, as well as contemporary accounts and Agatha’s own words, she paints a picture of a fascinating woman. Whatever your preconceived ideas may be of Mrs Christie, this book gives a chance to reconsider. As expected the disappearance in 1926 is discussed fully, but unlike many commentators at the time and since, Lucy Worsley delves into the subject with an open mind. I found her conclusions convincing and thoughtful.
‘The Hog’s Back Mystery’ by Freeman Wills Crofts is an Inspector French mystery written in the 1930s. Set in the North Downs in Surrey, it is the story of a mysterious disappearance that becomes more intriguing as the case progresses. Dr James Earle lives quietly with his wife in the countryside. When he goes missing, the inspector is called in from Scotland Yard. But French cannot fathom what on earth has happened to him. When a visitor goes missing too, the police are baffled. Nothing makes any sense. But the author has concocted a brilliant puzzle. I was completely fooled and thoroughly satisfied by the end.
The setting is the last place one would expect such crimes to take place. It is rural and quiet and the inhabitants apparently genteel and respectable. The writing style perfectly matches this. But as any reader of English countryside mysteries knows, so much lurks under the surface.
I don’t think I’ve ever read a mystery where the investigation is laid out so meticulously. We see into the mind of the Inspector and begin to understand the crimes as he explains his thinking. It was a brilliant piece of investigation, broken down in the most compelling way. I was hooked. I am so glad there as more in this series for me to discover.
‘Two For Sorrow’ by Nicola Upson is an immersive and beautifully written Josephine Tey mystery, set in 1930s London. Josephine is back in London researching her next book on the baby farmers of the early part of the century. Amelia Sachs and Annie Walters were executed for their crimes, but Miss Tey is more interested in the aftermath of their crimes. How others were also affected. While staying at her club in town, Josephine is drawn into a case investigated by her friend Detective Inspector Archie Penrose. Danger lurks all around and the pair must find the killer before it is too late.
There’s a depth to the story that you don’t see coming, and I must admit it took my breath away. The author weaves a story of personal tragedy, with a wider stain on society. And the years have not wiped away that stain.
London of that era was so perfectly described, as Josephine meets with her London theatre friends and mixes with high society. There’s plenty of name dropping- which is an absolute delight. We saw the lives of women of different classes and the choices they had to make. And we also saw the consequences of those decisions.
Nicola Upson cleverly ties in the tiny threads of her story and brings it all together with such skill.
I was left profoundly moved by the stories within ‘Two For Sorrow’. It’s a stunningly well written and researched story and would make a wonderful film/tv adaptation.
‘Murder Underground’ was originally published in the 1930s, and it is to that time the reader is transported. The descriptions of London, life in boarding hotels and the various characters were fascinating. It intrigued me.
When one of the boarders at the Frampton Hotel is found dead in Belsize Station, theories abound amongst the residents as to how she met her death. Miss Pongleton was not a popular woman, but none of her fellow residents would have wished a violent death on her. The strength of this story is in the characters and how they fit in to the mystery. I loved the conversations between them, and finding out slowly what part they each had to play. I can’t get enough of the Golden Age of Crime.